


a. Suggesting new design solutions for Canada Post
b. Branding + wayfinding design for PATH - Toronto’s downtown walkway
c. Creating a public toilet map for the City of Toronto
Design and Faux Science
Jessica Helfand
Faux Science is the new vernacular, a methodology that, while highly disciplined in a formal sense, is still all about appropriation. Arguably, perhaps, the landscape has shifted, too, from grit to grid. It’s not so much a tension of form versus content as a favoring of style over substance.
Science represents an enormous opportunity for designers, but not if their contributions remain fundamentally restricted by what they know. At the core of this critique lie serious questions about the role of education. Why don’t design students study music theory? Why aren’t they required to learn a second language? And why, for that matter, don’t they study science? “The difficulty lies not in the new ideas,” writes John Maynard Keynes, “but in escaping the old ones.” In other words, design beyond reach.
In asking this question, I am of course aware that bullshit has become a subject of legitimate inquiry these days with the popularity of Harry G. Frankfurt's slender volume, On Bullshit. Frankfurt, Professor of Philosophy Emeritus at Princeton, is careful to distinguish bullshit from lies, pointing out that bullshit is "not designed primarily to give its audience a false belief about whatever state of affairs may be the topic, but that its primary intention is rather to give its audience a false impression concerning what is going on in the mind of the speaker."